Each bright day with wind arrives like San Francisco in ’68. The fog pours in like horses across the Golden Gate, the seals cough down at the Wharf. City Lights opens its narrow stair and Ferlinghetti is at the top to turn and welcome you with his slow smile. And the feeling of reaching toward the bread of something solid, the wine of something still to come, the sacrifice not yet required, the circle still unbroken.
Category: poetry
The Compass Line
Solid brass, a cold and heavy circle in the palm. The needle crazed and swinging like a drunk against the shadows. It finds a point to fix itself upon within degrees all tacking north, a region that is known by where it's not. All elements descend upon the solitary walker: light and dark, the scudding clouds, the whistling air, the sliding rain. It does a person well to face into the wind, to feel the force implacable, to lean against that shifting wall of fury. To cling like Jacob to the arms of his assailant in the dark: 'I will not let you go until you bless me." 'Be true to duty as the needle to the pole.' So I was told and hewed the line as best I could against the odds. The needle swings — roll, pitch, and yaw — until it settles close enough to show us where to go, where we have been — though every move we make will set the needle dancing once again.
Potential
The preacher enters the pulpit. The waiting watchful befriend her like a cloak. In the round silence of those before her she breathes — in, out, in. But this moment! Perfect communion lies within her, just as the infinite bowl of the sky and the sea — arms open — enjoy their widest horizon. A poet lays down a line, scrubs it out, tugs a thread of memory up to the light, tests its tensile strength, rappelling down the sheer face of terror — almost delight. On the sea cliff a diver waits, counting the waves, marking his breaths, holding this moment — all heart and bones — as near to prayer as the cry of a newborn. Each one enters Creation innocent of the abyss, the leap itself containing all.
Counting Miracles
Let us be true, truly be, let us be. That was the refrain I sang under the moon I lost some months ago. There it was at last, low above the trees, the trees black and still, the birds silent, only a car passing on the road behind me, not staying. I know this moment contains worlds, universes even, possibilities unheard of. This moment, then the next, and the one after that; I will count them out carefully. Thoreau says, "All change is a miracle to contemplate, a miracle happening every moment." The asters I planted on faith in April have bloomed so bluely, so proudly, so briefly. They are sighing now as they lie down in this October morning. I am counting now — No! I have ceased counting — to take this moment as itself complete, so full as the moon, which I had lost, now waning behind me.
The News
I am reading poetry these days more than I read the news. I gather armfuls of poetry: Whitman, Wordsworth, Byron, Shelley, Keats, Yeats — Whitman again. I scoop up handfuls of Glück and Rilke; they must be pored over, examined in the hand, turned over like seeds and nuts in the palm, rationed carefully. I take a pinch of Emily: a little bit seasons the stew. She is the salt that brings up the flavor of these potato days and the sigh of attention to the diamond ground upon which I walk. There is Milosz and Szymborska and Herbert — both Zbigniew and George — Heaney, Hill, and Kavanaugh, Neruda, Bishop, Olds, Harjo, and Frost. Always Frost, even in summer. Collins, Stafford, Kooser, Hirshfield, Basho, Beowulf, Sidney, and Howe. Shakespeare then and again and now; Larkin, Levertov, Wiman, and Brooks. Am I Donne (not yet) or Job or the Psalmist? St. Paul on a good day, St. John's Chapter One, Isaiah, Jeremiah, or Solomon's Song? Or Morrison, Clifton, Hayden or Hughes? I am reading poetry more than the news, for the news does not change; it's not new. But the poetry I read can be read more than once, gathered in armfuls, held in the hand, salted and savored and sung on demand, and carried like water in these desert lands.
